Director Jayant Digambar Somalkar's debut Marathi film 'Sthal' (A Match) won the top Asian award on Sunday at the Toronto International Film Festival for its sheer raw power.
Director Jayant Digambar Somalkar's debut Marathi film 'Sthal' (A Match) won the top Asian award on Sunday at the Toronto International Film Festival for its sheer raw power.
Director Jayant Digambar Somalkar's debut Marathi film 'Sthal' (A Match) won the top Asian award on Sunday at the Toronto International Film Festival for its sheer raw power.
The film is the story of the fight of a young woman against the oppressive patriarchy whđ °ich forces its decisđ¶ions on her life.Â
Dedicating the NETPAC (Network for the Promotion of Asia Pacific Cinema) award to âall the brave women of the world who challenge their adverse circumstances,â Somalkar said this film is also very personal to him âas it was shot in my hoâmetown where I was born.â
Meenakshi Shedde, who as TIFFâs Senior Programme Advisor for South Asia, was instrumental in bringiđng the film to this festival, said: âI am absolutely delighted ꊊwith the NETPAC Award going to Sthal (A Match).â
She said, âIt is a raw and powerful film about women who are paraded before potential suitors to arrange their marriages. Itâs extremeêŠ ly humiliating for them as they are treated like slaves or products. Theây are assessed forâŠwhat is your name, what is your height, what is your education, can you cook, can you farm ⊠and no question is ever asked of the boys. This process of leading to marriage (hopefully) is so humiliating and devastating for the girlsâ families â both financially and psychologically.â
Shedde said the award for this film at the worldâs premier film festival also assumes signđłificance as the film subtly highlights the deep economic distress in the so-called farmersâ suicide belt of the Vidharbha region of Maharashtra.
âThis film is the directorâs biographical story as he shot it in his house and own village of Dongargaon in the cotton belt which is also tragically called the farmersâ suicide belt in the Vidharbha region. So he is also addressing the deeper socio-economic issues inđč which he places the context of this extremely powerful film.â
She addđŒed, âThe minute I saw the film I think one of the things that attracted me terribly was that it has a raw and wonderful authentic energà”©y which is very distinct from other kinds of film-making where the original voice may be lost or over-polished. But A Match has that raw and original power.â